The bugle call "Taps", performed by Sergeant Codie Lynn Williams of Dallas, ceremonial bugler for Marine Barracks Washington, on a Soprano bugle in G, as typically performed in the U.S. military.
Author: Sgt. Codie Lynn Williams, U.S. Marine Corps
Taps played on the bugle by a member of the U.S. Army Band. It is played by the U.S. military nightly to indicate that it is "lights out". Taps became an official component of military funerals in 1874. The song accompanies a funeral procession at Arlington National Cemetery, and is generally present at most funerals.
Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).
Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).
Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).
Recording of me hitting and tapping the body of my rode nt1a while it's recording. Recorded through a rode nt1a via a zoom h6n, processed to remove room tone.
Microphone handling sounds for found footage and handheld recorder-style sound design, to give a realistic sense of device handling without adding a disruptive amount of noise to dialogue or environmental sound. I was looking for this on here and couldn't find it, so i made it myself. I figure other people could probably use it too, once in a while. Made by handling and adjusting my microphone, as indicated.
Reference shutter sound of canon 650d/t4irecorded with two apogee mics in approximately ortf stereo configuration with camera in-between the microphones.
